Inanna and the Hero's Journey Part 2

It's snowing here today, big white puffy flakes. Alex is playing with his toys, Ron is working from home, and it seems like a good day to follow up on my earlier post about Inanna. I can't find my copy of the Inanna myth, so I'll be retelling her story from memory. Any errors are solely mine.

Inanna (queen of heaven and earth) gets word that her sister, Ereshkigal (queen of the underworld), is about to give birth. She begins the descent into the underworld, only to be stopped at 7 gates during the journey. At each gate, she is required to give up another symbol of her status, from her crown and scepter to, at the last gate, her robes. She arrives at Ereshkigal's domain stripped of everything that she was, completely naked. Once she appears before her sister, Eriskegal kills her, and hangs her body on a meat hook in a corner of her throne room.
Apparently, before she left the upper world, Inanna suspected something might happen, and she sent a message to her grandfather, the king of the gods, that if she did not return in three days, that something has happened. When she does not return, Enki creates two sexless creatures from the dirt underneath his fingernails, who descend to the underworld in search of Inanna. Arriving at Ereshkigal's throne room, they find her in the throes of labor. She says "oh, my back!" They say "oh, your back!" They show compassion for her pain, and she is moved by this. She offers them anything they desire, and they say "we want the corpse hanging from the meat hook in the corner". Ereshkigal is not pleased with being tricked out of her sister's corpse, but she honors her promise and gives them the body.
They sprinkle the food of life and the water of life on Inanna's body, and are able to revive her. She ascends to the upper world, regaining all the regalia of her position at each gate on her return.
This is a very abbreviated version of the story. Please refer to Diane Wolkstein's translation of the myth for more information.

So, why is this story relevant to what we've been talking about in our last post? How can the creative artist gain inspiration from this story? There are many stories in myth about descents into the underworld, but the thing that I find interesting about Inanna's story is her death, and being hung on a hook. The translation is very specific on this point. It got me thinking about the business about the hook. So, what is a meat hook used for? Well, in a slaughterhouse, the carcass of the animal is hung on a meat hook to drain the fluids out, right? Not only was Inanna divested of all of her regalia on her descent, even as far as her clothing, but she gives even more to the underworld on her journey. It is my belief that, in order to return with the boon of authentic work, the artist must leave something of herself behind. She must be willing to make that sacrifice. The journey is a dangerous one, and if we look at the lives of our great artists throughout history, it is full of drug and alcohol addiction, insanity, and suicide. If you give too much, and are given much in return, the price to pay is large. The trick is in finding the balance on the descent, the path is a razor's edge.

Kairos time vs. Chronos

I've been having a hard time lately getting myself into a creative head space, particularly for my writing time. I spend most of my time these days in Chronos time, changing diapers, keeping the house clean, running errands, etc. I'm trying to look for ways to bring myself into Kairos time, because without it writing is impossible for me. Today on my morning trip to the dog park I tried to hold onto that state of kairos time from sleep, and let my mind drift in the space where my story lives. It was a misty morning today, and somehow the "mistery" of the mist (sorry ;) helped me to retain my state of kairos time. It wasn't effortless, but I think things will improve with some mindfulness. I think if I use my morning walks with Hank to meditate on my story, I will be more able to write. We'll see how it goes.